Monday, April 26, 2010
Alex Chilton, Big Star, and Austin 1975
photo by Michael O'Brien
from Andrew Bennett:
Everyone has a Chilton story. It was 1975 and I was hanging my hat in Austin, with a sweet red head named Maggie Mae, about 3 blocks off of S. Congress near the Continental club. We were sitting around listening to KOKE FM, and this killer playlist that went something like, Dylan's " When dogs run free" and Peter Tosh's " Steppin Razor" and then the "The Ballad of el Goodo" from #1 record. I thought it was the Byrds/ McGuinn/Hillman, but something told me it wasn't. It was clearly a continuation and a departure simultaneously.
Im not sure of the time of day or night, as was to be expected in those days. I cannot even remember who was spinning records, it could have been Candy Kicker, Dr.Dinger, the Perfesser or Joe Nick Potoski ( Joe Nick has written a biography on Willie Nelson that is sensational and a real schooling on country music in general and Tx music specifically), Anyway, I remember waiting patiently for the playlist to be announced as was customary in those days. It was Big Star and I was dead set on finding it at the record store- nada zero copies anywhere.
I followed Chilton / Big Star off and on over the ensuing years and fell in love with "Radio city" and especially " Sister lovers". I remember a huge boost in popularity in the 80's after Ivo's 4AD compilation's ("This mortal coil/It'll end in tears") with reinvigoration of versions of Chilton's "Kangaroo" and "Holocaust" 1984 ( covered by Howard Devoto/ Buzzcocks/Magazine) along with Bell's "I am the cosmos" and "You and your sister"( kin Deal) from the later "This Mortal Coil /Blood" 1991.
On a side note, a great version of Rodney Crowell's "Till i gain control again" and Spirit's "Natures Way" are also on "This Mortal Coil / Blood" - worth a listen.
I just came across some tangentially related esoteria. The SF / TX connection is always an interesting musical journey. I knew about these guys, but never really investigated their music, On the heels of the 13th floor elevators, and almost contemporaries of Chilton was Cold Sun, they were making some great psychedellia with autoharp/ harmonica combo as a lead instrument. ( a harmonica brace fastened to the autoharp)
“There was a mythical Austin that is the root of all subsequent myths about it being such a ‘cool place’. That time was so magical and wondrous that the memory of it still fuels the fake scenes there, today.” Patrick Lundborg, 2003